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In 1982 a new jazz era was dawning and Soho, a hotbed since the 50s, was where the renaissance began. Blue Rondo A La Turk, who had the first ‘New Jazz’ hit, were led by Chris Sullivan who opened The Wag Club in Wardour Street in April 1982, a vital catalyst for the ‘New Jazz’ scene. Vic Godard, singer with Subway Sect, recast as a crooner, hosted his Club Left jazz-swing nights at the Wag (as well as at London’s jazz capital Ronnie Scott’s). Chief among the new acts were Weekend who morphed into Working Week, whose 1984 debut single ‘Venceremos’ felt like a clarion call. Everything But The Girl had embraced jazz influences on their debut single, a cover of Cole Porter’s ‘Night And Day’. Meanwhile, Mark Reilly left Blue Rondo to form Matt Bianco, a more overtly pop\u002Fjazz creation. Julien Temple’s Absolute Beginners film (including Eighth Wonder and The Style Council on its soundtrack) based on Colin MacInnes’ 1959 novel took jazz to a mainstream audience. 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Arm\u003C\u002Fli>\u003Cli>Digging Your Scene (U.S. Mix)\u003C\u002Fli>\u003Cli>T-R-O-U-B-L-E\u003C\u002Fli>\u003Cli>Have You Ever Had It Blue? 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