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In 1956, Cecil Taylor introduced the world to a radically original jazz language—an approach so forward-thinking it seemed to leapfrog the conventions of its era. With his quartet, Taylor reimagines the piano as an instrument of boundless possibility, tossing aside swing orthodoxy for a storm of clustered chords, angular runs, and rhythmic independence. Yet, beneath the rawness, there’s a sense of purpose and deep listening among the quartet, especially in conversations with Steve Lacy’s soprano saxophone. Standards like 'Bemsha Swing' are dismantled and rebuilt, while Taylor’s originals bristle with tension and intelligence. For listeners attuned to the evolution of jazz, Jazz Advance is a pivotal document: the spark that ignited the avant-garde movement and influenced generations of improvisers. It’s an album that rewards close attention, each listen revealing new layers of interplay and intent. 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