[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"product-louis-lortie-plays-cho-truls-mork-louis-lortie-audio-cd-arrives-in-50-days":3,"pdp-similar-492461":92},{"id":4,"name":5,"slug":6,"permalink":7,"status":8,"description":9,"short_description":10,"date":11,"date_created":11,"price":12,"regular_price":12,"sale_price":13,"on_sale":14,"stock_status":15,"in_stock":16,"stock_quantity":13,"sku":17,"weight":18,"image":19,"images":20,"gallery":26,"categories":27,"tags":40,"attributes":41,"youtube_url":13,"video_hero":14,"mion_has_obi":14,"mion_has_insert":14,"mion_has_inner_sleeve":14,"mion_condition_notes":13,"japmaster":14,"japmaster_handle":13,"japmaster_from_inr":13,"japmaster_offer_cnt":13,"japmaster_discogs_id":13,"japmaster_offers":91},492461,"Louis Lortie Plays Cho... - truls Mork Louis Lortie - Audio CD (Arrives in 50 days)","louis-lortie-plays-cho-truls-mork-louis-lortie-audio-cd-arrives-in-50-days","https:\u002F\u002Fcalcuttarecords.com\u002Fshop\u002Flouis-lortie-plays-cho-truls-mork-louis-lortie-audio-cd-arrives-in-50-days","publish","\u003Cp>Louis Lortie’s programme for this eighth and final volume of\nChopin spans the composer’s entire career, from the teenage\nRondo, Op. 1 through to his final published piece, the Cello\nSonata, Op. 65. Inspired by a visit to the estate of Prince Antoni\nRadziwiłł in 1829, the Introduction and Polonaise brillante, Op.\n3 was written for the prince (a keen cellist) and his pianist\ndaughter Wanda, and was published in 1831 in Vienna, shortly\nbefore Chopin’s move to Paris. Variations brillantes, Op. 12 was\nbased on the theme ‘Je vends des Scapulaires’ from the\n(now long-forgotten) opera Ludovic. Single-handedly\nresponsible for establishing the popularity of the mazurka,\nChopin wrote almost sixty of these works in his lifetime. The\ntwo sets here date from 1842 (Op. 50) and 1844 (Op. 56) whilst\nthe composer was at the height of his powers – and popularity\nin the salons of Paris. Chopin struggled with the composition of\nthe Cello Sonata, taking two years, from 1845 to 1847, before\nfinally premièring it at his last public concert, in Paris, on 16\nFebruary 1848. He was striving to find a ‘new style’ in his\ncomposition, whilst at the same time struggling under failing\nhealth and the breakdown of his long-standing relationship\nwith the novelist George Sand. His perseverance paid off, and\nthe sonata remains a cornerstone of the repertoire.\u003C\u002Fp>\n\u003Ch4>Tracklist\u003C\u002Fh4>\u003Col>\u003Cli>Introduction and Polonaise Brillante, Op. 3\u003C\u002Fli>\u003Cli>Rondo, Op. 1\u003C\u002Fli>\u003Cli>Variations Brillantes, Op. 12\u003C\u002Fli>\u003Cli>Trois Mazurkas, Op. 50\u003C\u002Fli>\u003Cli>Trois Mazurkas, Op. 56\u003C\u002Fli>\u003Cli>Cello Sonata, Op. 65\u003C\u002Fli>\u003C\u002Fol>\u003Cp>\u003Csmall>Label: Chandos | Origin: Holland\u003C\u002Fsmall>\u003C\u002Fp>","Louis Lortie Plays Cho... by truls Mork Louis Lortie. 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