[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"product-ouvertures-in-e-minor-equilbey-audio-cd-arrives-in-50-days":3,"pdp-similar-452733":100},{"id":4,"name":5,"slug":6,"permalink":7,"status":8,"description":9,"short_description":10,"date":11,"date_created":11,"price":12,"regular_price":12,"sale_price":13,"on_sale":14,"stock_status":15,"in_stock":16,"stock_quantity":13,"sku":17,"weight":18,"image":19,"images":20,"gallery":34,"categories":35,"tags":48,"attributes":49,"youtube_url":13,"video_hero":14,"mion_has_obi":14,"mion_has_insert":14,"mion_has_inner_sleeve":14,"mion_condition_notes":13,"japmaster":14,"japmaster_handle":13,"japmaster_from_inr":13,"japmaster_offer_cnt":13,"japmaster_discogs_id":13,"japmaster_offers":99},452733,"Ouvertures In E Minor ... - Equilbey - Audio CD (Arrives in 50 days)","ouvertures-in-e-minor-equilbey-audio-cd-arrives-in-50-days","https:\u002F\u002Fcalcuttarecords.com\u002Fshop\u002Fouvertures-in-e-minor-equilbey-audio-cd-arrives-in-50-days","publish","\u003Cp>Presenting the first complete recording on period instruments of Louise Farrenc’s symphonies and overtures, conductor Laurence Equilbey says: “Farrenc has a fine command of musical forms and cultivates the art of musical discourse effectively and with finesse. An heir to Beethoven through her teachers Reicha and Hummel, she defined a very interesting place for herself in the symphonic repertoire, between the French and German spheres of influence.”\u003C\u002Fp>\n\u003Cp>Louise Farrenc was a prominent and pioneering figure in 19th century Paris. In 1842 she made history by becoming a professor at the Paris Conservatoire. She was, of course, unusual as a female composer who achieved significant recognition, but she was also unusual as a symphonist: at the time, the success of French composers was judged by their achievements in opera.\u003C\u002Fp>\n\u003Cp>“It would be hard to imagine better performances, a better-sounding recording, or better advocacy for Farrenc,” wrote Fanfare in response to a previous release from Equilbey and the Insula orchestra. In a similar vein, Gramophone enthused that: “In their lucidity, colour and feeling for the music’s architecture, with climaxes unerringly prepared and clinched, these performances would be hard to better.”\u003C\u002Fp>\n\u003Ch4>Tracklist\u003C\u002Fh4>\u003Cp>\u003Cstrong>Disc 1\u003C\u002Fstrong>\u003C\u002Fp>\u003Col>\u003Cli>Symphony No.1 In C Minor Op.32\u003C\u002Fli>\u003Cli>Symphony No.1 In C Minor Op.32\u003C\u002Fli>\u003Cli>Symphony No.1 In C Minor Op.32\u003C\u002Fli>\u003Cli>Symphony No.1 In C Minor Op.32\u003C\u002Fli>\u003Cli>Symphony No.3 In G Minor Op.36\u003C\u002Fli>\u003Cli>Symphony No.3 In G Minor Op.36\u003C\u002Fli>\u003Cli>Symphony No.3 In G Minor Op.36\u003C\u002Fli>\u003Cli>Symphony No.3 In G Minor Op.36\u003C\u002Fli>\u003C\u002Fol>\u003Cp>\u003Cstrong>Disc 2\u003C\u002Fstrong>\u003C\u002Fp>\u003Col>\u003Cli>Symphony No.2 In D Op.35\u003C\u002Fli>\u003Cli>Symphony No.2 In D Op.35\u003C\u002Fli>\u003Cli>Symphony No.2 In D Op.35\u003C\u002Fli>\u003Cli>Symphony No.2 In D Op.35\u003C\u002Fli>\u003Cli>Ouverture No.1 In E Minor Op.23\u003C\u002Fli>\u003Cli>Ouverture No.2 In E Flat Op.24\u003C\u002Fli>\u003C\u002Fol>\u003Cp>\u003Csmall>Label: Plg | Origin: Holland\u003C\u002Fsmall>\u003C\u002Fp>\u003Cp>\u003Csmall>📌 .. 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