[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"product-tinazzoli-complete-ke-simone-el-oufir-pierini-audio-cd-arrives-in-50-days":3,"pdp-similar-526709":92},{"id":4,"name":5,"slug":6,"permalink":7,"status":8,"description":9,"short_description":10,"date":11,"date_created":11,"price":12,"regular_price":12,"sale_price":13,"on_sale":14,"stock_status":15,"in_stock":16,"stock_quantity":13,"sku":17,"weight":18,"image":19,"images":20,"gallery":26,"categories":27,"tags":40,"attributes":41,"youtube_url":13,"video_hero":14,"mion_has_obi":14,"mion_has_insert":14,"mion_has_inner_sleeve":14,"mion_condition_notes":13,"japmaster":14,"japmaster_handle":13,"japmaster_from_inr":13,"japmaster_offer_cnt":13,"japmaster_discogs_id":13,"japmaster_offers":91},526709,"Tinazzoli: Complete Ke... - Simone El Oufir Pierini - Audio CD (Arrives in 50 days)","tinazzoli-complete-ke-simone-el-oufir-pierini-audio-cd-arrives-in-50-days","https:\u002F\u002Fcalcuttarecords.com\u002Fshop\u002Ftinazzoli-complete-ke-simone-el-oufir-pierini-audio-cd-arrives-in-50-days","publish","\u003Cp>The pieces presented here are ascribed to a composer whose life appears to be both \nmysterious and adventurous at the same time: little of Agostino Tinazzoli (ca 1660-1725) is \nknown, as concerns biographical details such as his living places, his teachers, and the job \npositions he held. However, some unusual facts preserved through his music make clear that \nthis composer probably had no ordinary life: during his stay in Rome he probably committed, \nor was involved, in an unspecified crime: for this reason, he got incarcerated in Castel \nSant’Angelo, Rome, which during Tinazzoli’s time was partly used as a city jail. Here he \ncontinued to compose: his cantata “In Carcere penoso” was written with carbon on the prison \nwall, and its beauty prompted his immediate release from jail.\u003C\u002Fp>\n\u003Cp>This collection of Tinazzoli’s keyboard music employs a wide range of styles and formal \nstructures: we have concerto-like pieces (Toccata No.17, Sonata no. 4), as well as fugato pieces \n(Sonata No.11), and dance movements (the Sarabanda in Sonata No.4). The most important \nfeature of these pieces, however, is the massive employment of basso continuo: the pieces are \nalmost everywhere notated in two voices (treble and bass), but continuo numeration is \nemployed everywhere. This means that the performer has to add other voices, or remove \nthem in order to make dynamic effects, and sometimes even to improvise counterpoint, \naccording to stylistic continuo rules in early 18th century’s Italy. \u003C\u002Fp>\n\u003Cp>Born in Rome in 1996, Simone Pierini began studying music at the age of eight. Aged eighteen, \nhe graduated in piano at S. Cecilia Conservatory of Music, Rome, with highest honors, and \nconsequently took part in masterclasses and post-graduate courses.\u003C\u002Fp>\n\u003Cp>\u003Csmall>Label: Brilliant Classics | Origin: Holland\u003C\u002Fsmall>\u003C\u002Fp>\u003Cp>\u003Csmall>📌 .. Keyboard Works\u003C\u002Fsmall>\u003C\u002Fp>","Tinazzoli: Complete Ke... by Simone El Oufir Pierini. 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