Don Friedman’s 'Circle Waltz' isn’t just another piano trio record—it’s a bold statement from a singular voice in early ‘60s jazz. Released in 1962, this album finds Friedman, alongside Chuck Israels on bass and Pete La Roca on drums, forging a sophisticated interplay that feels conversational rather than formulaic. Frequently compared to Bill Evans, Friedman’s approach is contemplative but never imitative; his harmonic choices and phrasing carve out a distinct, poetic space. Standouts like the title track and 'Sea's Breeze' show an intuitive balance between freedom and structure, with Israels and La Roca responding in real time, creating a dynamic flow often missing from more rigid trios.
For collectors, 'Circle Waltz' is a document of an underappreciated pianist at his creative peak, offering a fresh perspective on what a jazz trio could achieve. There’s a warmth and intimacy here that rewards repeated listens—each spin revealing new subtleties in Friedman’s touch and the trio’s chemistry. If your shelf holds Evans, Jamal, or Jarrett, this record more than earns its place. For those who value depth and nuance over flash, 'Circle Waltz' is an essential listen.
Track List:
A1 - Circle Waltz - 5:57
A2 - Sea's Breeze - 6:02
A3 - I Hear A Rhapsody - 7:29
B1 - In Your Own Sweet Way - 5:17
B2 - Loves Parting - 5:42
B3 - So In Love - 3:23
B4 - Modes Pivoting - 6:44