
Preowned Sony TA-1066 Vintage Solid State Integrated Amplifier

Kuedo
CRCBTS2D0999
🚢 Ships from abroad — estimated delivery 51 days
Blending synth-driven avant garde compositions and thunderous drum programming, this album’s sonics owe as much to modern R&B icons like Frank Ocean and The Weeknd as they do to legendary composers such as David Axelrod, Tangerine Dream and the sadly recently-departed Vangelis or contemporary breakbeat aficionados such as Sully and Jlin. “I’m split between thinking about what makes spacey synth driven music production work, what makes rap and UK jungle work, and what makes pop and R&B work,” explains Kuedo. “I found myself turning more to what I just enjoy listening to, or to what’s really endured through history, even if it’s new to me. I realised that old music can speak to the current moment as well or better than new music. Particularly in terms of ecological, planetary anxieties, and hopes too”. Renowned for his composition and sound design work for the likes of Fendi, Bvlgari, Iris Van Herpen and Nike, the release follows a 2017 collaboration with label-head Flying Lotus on the “Blade Runner: Black Out 2022” OST (directed by Cowboy Bepbop director Shinichirō Watanabe), with Kuedo also scoring Metahaven’s “Eurasia (Questions on Happiness)” and “The Sprawl (Propaganda About Propaganda)” films. “Sliding Through Our Fingers”is the first taster from the forthcoming album that showcases Kuedo’s mastery of emotive synth composition. “The music gives me a feeling of how time slides past us, how we try to hold it,” says Kuedo. Notions of ‘time’ — of looking both forward and backward — run deep throughout the album and its recording process. The genesis for ‘Infinite Window’ began in early 2021 when Kuedo sat down to begin composing a full length album for Brainfeeder, but the finished record is a meticulously assembled collage of new composition and various demos and sound recordings, some of which stretch back almost 10 years. “Almost a third of the album comes from rough sketches I had written for a previous Kuedo album that never was.” he explains. ”Turning these into finished tracks and assembling them into a unified album, into something that moved as one body… that was a complex experience. It felt like negotiating with previous versions of myself, down corridors of time. It was a little odd hearing a much younger me trying to get better at playing keys, and then having the me now playing alongside that. It felt like time travelling. In that process, I probably made some peace with that earlier version of myself too, for not having the confidence to finish it at the time.”
Label: Ninja Tune | Origin: Holland
Similar picks